“The Murders in the Rue Morgue” is also the first “locked room” mystery. The concluding reveals of each tale marked the first time detectives announced the solution and explained the damning logic as a story device.
Auguste Dupin trilogy contributed multiple unique introductions to literature, the specific genre, and popular culture. The Mysteries of the Morgue Manifested Many Firsts
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Arthur Conan Doyle would lodge similar complaints 46 years later in his Sherlock Holmes series against Inspector Lestrade and Scotland Yard. Cops are an annoyance who only get in the way in these stories.
Dupin’s investigative process allows for intuition resistant to traditional institutionalized police work.
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Poe called these armchair challenges “tales of ratiocination,” combining scientific reasoning with intuition far superior to the incompetent constables’ haphazard application of trial and error derisively mocked in the short stories. Poe’s use of rational crime-solving created a genre, not only mixing a detective narrative that revolves around figuring out “whodunit,” but inviting readers to put the clues together. The Edgars, the most prestigious award of the Mystery Writers of America, is named in his honor. Poe the writer is renowned for macabre tales and anguished poetry, but he’s also exalted for his contribution to the mystery genre. Auguste Dupin is the master analyst in Poe’s “The Murders in the Rue Morgue,” “The Mystery of Marie Rogêt,” which was published in three installments in Snowden’s Ladies’ Companion, beginning in late 1842, and “The Purloined Letter,” published in 1844. While his surname may come from “Landor’s Cottage,” The Pale Blue Eye’s main character being named Augustus is a direct tribute to Poe’s most famous criminal investigator, the central figure in the trilogy which makes up the first detective series. The rustic home, designed after the one in the book, marks him as a recluse, and he is derisively called a “cottager” in the film by a prime suspect in a secondary role. His last name comes from Poe’s short story, “Landor’s Cottage.” Originally published in 1849, it is a descriptive work, without mystery or violence, that works as a contemplative rest stop for the retired detective’s dwelling in The Pale Blue Eye. He prefers unfettered analysis, just like the father of the detective mystery.Īugustus Landor is a fictional creation from Bayard’s novel and now Cooper’s movie. He believes such established methods systematically rob young men of individual thought and openly proclaims his aversion to the academy’s rules. Bale’s Landor comes to the aid of West Point Academy to save its reputation in spite of his own revulsion at their regulated restrictions.
The film is the coming-of-age story of a budding mystery author destined to rewrite the rules. Like breadcrumbs for a raven, scattered clues lay a labyrinthine trail through the themes of Poe’s works: gross morbidity, premature death, and supernatural promise. The Pale Blue Eye stars Christian Bale as retired constable Augustus Landor, who enlists Poe to help chase leads as the perverse murder case brushes against the fringes of occult complicity. Hence the film offers a theoretical scenario for its inspiration: The tortuous murder, and grisly desecration, of Cadet Leroy Fry (Matt Heim) is committed on the school’s periphery, and a killer is at large. He had not yet invented the detective mystery genre with “The Murders in the Rue Morgue,” published in Graham’s Magazine in 1841. Army before matriculating at the military school on the Hudson River. By this time, Poe had already published two books of poetry and served in the U.S. This article contains minor The Pale Blue Eye spoilers.īased on a novel by Louis Bayard and not true events, director Scott Cooper’s period thriller The Pale Blue Eye imagines a young Edgar Allan Poe, as played by Harry Melling, in the short handful of months he attended West Point Academy as a cadet.
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